Beginning in the spring of 2016 I started painting on canvas again. For the past several years I have been painting on wood in order to create figures in relief…I needed a rigid surface upon which to work. Over the years my work has been more and more concerned with surface texture, and the figures were not only textural, but intentionally in the third dimension. I suppose I had forgotten how great it is to work with the tooth of canvas. My way of applying paint was always fairly smooth and done with soft brushes. Over time, however, I’ve been building up the surface just with paint…without any prior treatment of the work in relief.
I live in Mussy-sur-Seine, a village with roots back to the Gallo-Roman period, but with remnants of Medieval and Renaissance architecture. Some buildings, alas, are in a state of neglect and are no longer occupied. At first glance, I suppose most people would find them uninviting, even threatening, because of their condition. After years of living here I have become more familiar with the building materials traditionally used in Mussy and elsewhere in the region. I started to appreciate not only the thought given to constructing door and window openings with heavy tailored limestone, but the way walls were built using roughhewn limestone quarried in the forests close by. The exterior walls were finished smooth with a kind of mortar made with ground limestone, sand, and local mud. This material is durable, up to a point. If it is properly applied and sealed with paint, it can repel the weather. However, if it is subjected to leaks from a roof, a window, or a doorway, it crumbles away. It is very common to see exterior walls, even in occupied and otherwise comfortable houses, with exposed stones…the old mortar having collapsed. Sometimes people never address the problem, sometimes they repair it with odd materials. The result is often curiously intriguing.
I am painting façades of buildings, usually only the door and an occasional window. I hope to evoke something that might be called le charme de délabrement. These buildings all have histories. They hold a thousand stories. Here are a few of them.
20 rue Victor Hugo, Mussy
2016 Oil and Sand on Canvas, 70 x 50cm
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21 rue Victor Hugo, Mussy
2016 Oil and Sand on Canvas, 70 x 50cm
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House built in 1776, Mussy
2016 Oil on Canvas, 30 x 10cm
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12 rue Charles Lambert, Mussy
2016 Oil and Sand on Canvas, 70 x 50cm
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La Porte de Grange, Courteron
2016 Oil and Sand on Canvas, 70 x 50cm
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Maison à Courteron
2016 Oil, Sand, and Wood on Canvas, 50 x 70 cm
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15 rue Victor Hugo, Mussy
2017 Oil on Canvas, 40 x 20 cm
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House at Vix
2017 Oil, sand, and wheat filaments on canvas, 70 x 50 cm
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Door at Vix
2017 Oil and sand on canvas 40 x 20 cm
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Autel
2017 Oil and sand on canvas 70 x 50 cm
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Porte à Gomméville
2017 Oil on canvas 40 x 20cm
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Mur à Gomméville
2017 Oil on canvas 70 x 50cm
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Grange à Pothières
2017 Oil on canvas 30 x 40 cm
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Porte sur la Rue du Vieux Moulin, Mussy
2017 Oil, sand, and acrylic on canvas 40 x 30 cm
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20 rue Boursault, Mussy
2017 Oil, sand, acrylic, and paper on canvas 70 x 50 x 2 cm
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Vielle Porte, Rue du Croissant, Mussy
2017 Oil, acrylic, sand, and wood on canvas 70 x 50 x 6 cm
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Petite Porte Délabrée
2017 Oil on canvas 18 x 13 cm
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4 Rue Dessertenne
2017 Oil, sand, and paper on canvas 70 x 50 x 1 cm
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Porte Elevée, Rue de l’Hôpital, Mussy
2017 Oil, acrylic and sand on canvas, 70 x 50 x 1 cm
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Porte sur le Quai Interrompu, Mussy
2018 Oil, acrylic, and sand on canvas, 60 x 60 x 1 cm.
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Portillon, Mussy
2018 Oil, sand, and acrylic on canvas, 40 x 20 cm
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Porte à Vix II
2018 Oil, sand, and acrylic on canvas 100 x 50 cm
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37 rue Gambetta, Mussy
2018 Oil, sand, acrylic, and steel on canvas 40 x 20 cm
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Maison à Gomméville
2018 Oil, sand, and acrylic on canvas 70 x 50 x 2 cm.
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La Maison du Chien Méchant
2018 Oil, sand, and acrylic on canvas 70 x 50 x 1 cm.
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Prison Ferme
2018 Oil, sand, acrylic, paper, and wood on canvas 70 x 50 x 1 cm.
